Spotlight on Dr. Anita Heiss

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BWRC shines the spotlight on four-time workshop facilitator, Dr. Anita Heiss. Dr. Heiss will be presenting Writing Faction at the 2012 Black Writers Reunion & Conference in Fort Lauderdale. Her workshop is designed for those who want to understand both the benefits of weaving real life stories and characters into their novels, using an ethical and creative approach while protecting themselves legally.
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Spotlight on Dr. Linda Beed

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BWRC shines the spotlight on dual workshop facilitator, Dr. Linda Beed. Dr. Beed will be presenting Investment Writing and M.A.D. Writing (Making a Difference With Your Writing) at the 2012 Black Writers Reunion & Conference in Fort Lauderdale.

What would you like attendees to know about you, your background, strengths, or interests that are not included in your bio?
What I’d like people to know about me is that I care enough to reach out to others. As an independent publisher I learned fast that there is strength in support and shared knowledge. I have a passion for the written, spoken and performing arts. Embracing creative ways to take the word to the masses, I believe is the responsibility of those entrusted with the gift.

How did you get started writing/publishing/etc.?
I’ve always written, but my first step toward publication came after I entered a short story contest. My decision to independently publish came after I saw what publishers wanted to turn my story into.

Who is one author that you look up to and why?
Maya Angelou tops my list of many. She does because at the crossroads of my life, her undiluted words reached out, embraced and encouraged me.

How did you master the topics you’ll be presenting at BWRC?
‘Investment Writer and Writing M.A.D.’ came from listening to the readers. We all know that there’s not a story written that hasn’t been told. That being the case, it becomes the responsibility of the writer to take that familiar tale and make it uniquely their own. Similarly, one must ask themselves if their writing is making a difference in the lives of their readers. If not, why?

If you were to describe your upcoming session/presentation in one word, what would it be?
Necessary

Who is your session particularly suited for, i.e., what interests, experience, skill level should they have to benefit most from your session?
My sessions are geared toward the beginning and intermediate writer. Their most beneficial skill will be their desire to succeed.

At what other writers’ conferences have you presented a session?
I’ve previously presented at the Faith Based Arts Conference, Romantic Times, Romance Slam Jam and The Write Plan workshops.

What advice would you give to someone who has never attended a writers’ conference?
Take the time to acknowledge your needs and your wants. From the course catalog select a balance of courses that will meet both needs. I also suggest that attendees come with an expectation of learning, sharing and connecting with literary professionals who have their best interest in mind. And of course, plan to have fun.

If 2012 will not be your first, what was your first experience with BWRC?
My first experience with the BWRC elevated my expectations in what a writer’s conference can be.

What keeps you coming back to BWRC?
I return to the BWRC because of its continuing education value for beginning and seasoned authors.

What do you believe separates BWRC from other writers’ conferences?
In my opinion what separates the BWRC from other conferences is its focus upon the needs of the attendees rather than that of featured speakers.
Dr. Linda Beed
What are some of the projects you have in the works? Are there any in particular you’d like us to look out for in the near future?
This year I have completed two new projects; the first being the upcoming release of my novel, Through the Fire from On Assignment Publications. The second is my one-woman monologue, Tell Them, which is being adapted into a one act stage play. Tell Them depicts the last day of Denise McNair, the youngest victim of the 1963 Sixteenth Street Baptist Church bombing in Birmingham, Alabama, the mother left to preserve her legacy, and extends a message of hope to others. My ongoing project is The Write Plan. This series of workshops is geared toward teaching the business side of the industry.

What one piece of advice would you give to aspiring authors?
The best piece of advice any author can receive is that they take the time to learn the business side of the industry.

What is something you wish someone would have told you about being an author/publisher/playwright/poet/producer/etc.?
This may sound odd, but I wish someone would have told me that not following industry spin and trends will not make you a failure.

Website address: www.lindabeed.com and thewriteplan.net

Blog address and/or Facebook, Twitter, etc:
thewriteplan.blogspot.com
Twitter @lindabeed

Agent Pitch Session Appointments Now Available

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Greetings writers,

Scheduling has begun for the pitch sessions with literary agents Dawn Michelle Hardy and Janell Walden Agyeman. These one-on-one sessions will only be available to individuals registered for the full conference. Appointments are limited and must be scheduled in advance.

The sessions will be held on Thursday, Aug. 30 and scheduling will be on a first come, first served basis. Once the time slots have been filled, additional interested participants will be placed on a waiting list, in the event of a cancellation.

Ms. Hardy is looking to acquire non-fiction, pop-culture, women’s fiction and empowerment titles.

Ms. Agyeman is seeking young adult / middle-grade fiction and adult non-fiction.

To learn more about them, please see http://www.blackwriters.org/pitch-sessions/.

If you have a completed manuscript and are ready to schedule, or would like additional information, contact veronica (@) blackwriters.org.

Veronica Fields Johnson
BWRC 2012 Pitch Session Coordinator

Ross to Resign at 2012 BWRC

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It is with great reluctance that I announce my decision to leave my role as director and producer of Black Writers Reunion & Conference effective upon completion of the 2012 conference and retreat. After significant consideration, I have decided to change the course of my primary career and pursue a direction that will make it difficult to produce the conference at the high standards by which it is known while managing my other obligations and roles.

Although the time has come for me to step down, I realize that ending this incomparable event will leave a gaping void. Thus, it is my sincere hope that the BWRC can live on under new ownership and that the legacy we’ve established for empowering aspiring, emerging, and established Black writers shall be expanded beyond measure.

It has been an incredible journey and an honor to serve the African-American literary community during the past 12 years as director of the conference and the three years prior with the organization that spawned it. I feel deeply blessed to have been able to positively impact so many. It has been intensely gratifying to have watched so many authors flourish and live their dreams.

I am especially appreciative of the many extraordinary speakers over the years and my amazing staff who catapulted this sensational conference straight to the top of its class as well as those who have supported BWRC as volunteers and viva voce promoters. There are so many of you I am thankful for, yet too many to list, but I do thank each and every one of you and pray that you continue to aspire toward and achieve your grandest passions.

With this being my last year at the helm, I look forward with added excitement to the momentous program that will be the 2012 Black Writers Reunion & Conference.

Warmly,
Tia Ross

#BWRC2012 Twitter Contest

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Tweet your way to the BWRC!

Write a short tweet and win a ticket to Black Writers Reunion & Conference 2012.

This summer we will again run our Twitter contest, offering even greater prizes to tweeters.

Our last Twitter contest invited the most creative tweets about the conference. This year, tweet using our #BWRC2012 hashtag on either or both topics below:

  • Why you want to attend BWRC
  • Why you want to attend a particular BWRC workshop

The winning tweets will receive free admission to a favorite session (local residents only) or one day of tickets to all workshops (open to all). Nominees will be selected by a team of judges, and then prize winners will be selected by poll via the Blackwriters.org website.

Enter as many times as you wish. Every tweet counts.

The contest starts May 21 and ends August 21! Nominees will be announced in early August.

Have fun! And good luck!